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But something about this story—the goddamn gorgeous language, the raw power of its brutality—gave me so much comfort and solace. While I was stuck IN it, writing was the only constant that kept me alive. The passion Lidia Yuknavitch brings to the page is astounding.
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And the "zero remorse" carries through into the present, where you can't help but feel as though she would do it all again the same, given the opportunity. Julie Christine Johnson, Chalk the Sun Yuknavitch has emerged as a trailblazing literary voice that spans genres and dives deep into themes of gender, sexuality, art, violence, and transcendence. These stories captivated me like modern fairy tales, and like those dark lessons they showed me how resilience is forged through survival, beauty through brokenness, joy by fire. How delicious is that? A wounded man drives eastward, through tears and grief, toward an unexpected transcendence. Not claiming better or perfect by any means, but different. And our bodies are so magnificent at protecting us, not everything works for everyone, so I make it my mission to watchand idenrify when someone is just not getting to what they really want to say. Then there is the bitter, but almost ironic, story which opens the book with the tragic birth of her stillborn child. I kicked around a few ideas which I plan to pursue, but when I met Ruth and saw her work, I knew instant that I wanted to work with her. The bigots and hateful chickenshits are squirming their way from under the floorboards, and igniting a bonfire that has been brewing for a couple centuries, but has been tamped down, beaten down, silenced, and swept under.
We are in such an interesting and pivotal time, that having a physical space to bat ideas around and CV challenge ourselves through our art feels crucial. The Electric Typewriter Simply stated: She is important. That is almost a non-answer, because accessibility has been in the conversation from the get-go, and is part of our overall mission.
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Not because it offends my sensibilities, but because it affirms them. That all the beginnings have endings in them. I was convinced that we could collaborate on a workshop that would explore narrative from multiple perspectives.
These stories captivated me like modern fairy tales, and like those dark lessons they showed me how resilience is forged through survival, beauty through brokenness, joy by fire. Getting people you would never think would be in a room together, and watch as they recognize themselves in the other.
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